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Tuesday, December 30, 2008

What Are The Odds....Black And White Twins... Again!


A mixed-race couple who had one black and one white twin daughter seven years ago have reportedly defied the odds and done it again.



Dean Durrant, 33, and Alison Spooner, 27, of Fleet, Hampshire, are said to have had another set of twin girls with different coloured skin.

Miya has her father's black skin and Leah is white like her mother, The Sun reported.

The couple's first set of twins arrived in 2001, with blue-eyed, red-haired Lauren taking after her mother while Hayleigh has black skin and hair like her father.

Mr Durrant said: "We didn't think it was even possible when we had Lauren and Hayleigh - and it didn't cross our minds that it could happen again. But we are just delighted that it has."

Miya and Leah were delivered by Caesarean section at Frimley Park Hospital, in Surrey, at just 37 weeks of pregnancy after scans revealed both babies were breach.

Ms Spooner said: "After the babies were born they weren't breathing properly, so they were taken to a special care unit.

"It wasn't until about five days after they were born that we saw them side by side for the first time.

"And when they were together it was clear that one was darker than the other. It was unbelievable."

"Now the girls are back home with us and are very healthy. Lauren and Hayleigh think the new arrivals are fantastic."

Colin Monroe Canada's "Unsung Hero" feat Vid Remake "Flashing Lights"



My girl @ VsVibespot came across this video version remake of Ye's "Flashing Lights" while online with an ear ache. I sure hope she feels better. XOXO Anywho, Mr. Monroe....I got my eyes on you. I'm REALLY feeling this!!!!





Click here to download mixtape

LoL...Weezy Busts His A**!

Fat Albert In The Hood Pt.2 "Who's The Baby Daddy"

Monday, December 22, 2008

Fat Albert In The Hood

High School Hopefuls: Hooping in Houston


HOUSTON, TEXAS-- Houston based film & management company, Maven Entertainment, has released a two-disc documentary, “High School Hopefuls: Hooping in Houston”. The film, directed and produced by Chicago Native, Maurice Elrod, provides an intimate look into the lives of four of Houston’s top high school basketball players, and their journeys and struggles on the road to achieve success in the competitive world of basketball. The phrase “1 City, 4 Hoop stars, 1 Dream” in the opening credits, sets the stage for a magnificent and inspirational look into the day to day experiences of the four very different, yet similar individuals.

The awe-inspiring documentary provides diverse perspectives and situational dilemmas that many high school basketball players and fans alike can relate to today. Stories such as that of DeAndre Jordon, a power forward at Christian Life Center Academy, and his experiences with a new school, new coach, and new teammates convey the emotion and constant pressure and necessary transitions that many high school basketball players face. Also chronicled is B.J Holmes, a point guard at Alief Hastings High School, who is a passionate yet underestimate basketball player with a deep love for the game. Added to this group is Jai Lucas, a Houston Bellaire High school point guard, who struggles to prove that he is a great basketball player regardless of his father’s and brother’s NBA experience, and his height. Finally, viewers are provided with the touching story of Biko Paris, a point guard at Cypress Christian High school and Hurricane Katrina survivor on his quest to be the best in the game of basketball. The documentary accurately depicts the important career crossroads and challenges that the four men endure as they make their upcoming transitions from high school to college and professional basketball.

The films creator, Maurice Elrod, an avid basketball fan and film director, devised the concept of the documentary from his desire to make a positive impact on teenagers across the world in conjunction with his love for basketball.

“When I set out to make this documentary, it was very important for me to paint a clear picture of the challenges that these four young men faced, as well as the opportunities that were being presented to them” Elrod states.

“It is my belief that this film will provide inspiration and motivation to many high school basketball players around the country, and reaffirm the fact that the sky is the limit with hard work and consistency”.

Wednesday, December 17, 2008

Amos 'n' Andy: Anatomy of a Controversy

Host George Kirby takes a look at the issues and the show to determine if
the first major network (CBS)all black TV series which was taken off the air in 1953 because of protests from civil rights groups was truly justified or not.

Dorothy Norwood Fifty Years It's Been Worth It All

Tuesday, December 16, 2008

Dooney Da Priest "Pull Your Pants Up"

I read an interview recently, were the artist Common expressed that President Elect Obama "is going to change hip-hop for the better."

Common went further to say he thought "hip-hop artists will have no choice but to talk about different and more positive things, and try to bring a brighter side to hip-hop". Well, I really feel this "change" is beginning to happen and "Dooney" Da Priest's latest release from Malaco Music Group "Pull Your Pants Up" is a prime example of this NEW street movement.

“Da Priest”, is a rapper and an ordained Minister who works as part of T. D. Jakes Shepherd’s Staff at the Potter’s House in Dallas. He along with several Dallas City Officials, has recently launched a war against the sagging pants trend that has become popular amongst the rap/hip-hop community in our inner cities.

"Dooney" is not your normal "christain/gospel" rapper. One would find his style of delivering a "positive" message to be a bit controversial. Yet, I find it to be a raw, urban sound with a hardcore beat that the streets can relate to.


Saturday, December 13, 2008

"The Hip Hop Wars"

By Gilbert Cruz

Brown University professor Tricia Rose wants you to know that no one is right about hip hop. In her new book, The Hip Hop Wars, Rose takes on all sides, arguing that fans and detractors alike have advanced illogical, dishonest and offensive arguments about why the genre is bad and why it's great. She spoke to TIME about how radio is killing hip hop, why artists need to take more responsibility and what the music used to be like.

The rapper Nas released an album several years ago titled "Hip Hop is Dead." The first line of your book is "Hip hop is not dead, but it is gravely ill." Why do you think that? Many people would say it died a long time ago.

When Nas said hip hop is dead, it was really a way of making the statement I think that I'm making. He obviously doesn't think its entirely dead, or he wouldn't continue to labor there, but he is concerned about it enough to put people on notice that it is in the ICU ward. It was more a metaphor than a reality. But I think that there is no question that commercial hip hop, that is dead. But there is an incredibly rich world of hip hop that has been literally buried. I tell my friends and students, that's why they call it the underground — because it's in fact buried. But it's not dead, it's an underworld. It's like the Matrix, an alternative world that has its flaws but is part of a living force.

Coincidentally, I was watching the concert movie Dave Chapelle's Block Party the other night, in which he puts on a bunch of these alternative hip hop artists that you talk about in your book — Common, Mos Def, Talib Kweli, Kanye West. Other than Kanye, why don't these artists sell as well as the Jay-Z's or the 50 Cent's?

There's a long history of a particular pleasure in consuming the ideas of black ghetto excess dysfunction. It used to not be ghettoized in setting, because black people weren't always urban people, but the same images can be found in American history for centuries. So this idea that a certain kind of sexual deviance or violent behavior defines black culture has had a huge market in commercial mainstream culture for at least 200 years. Also, sexist images, which hip hop has a lot of, seem to do very well across the cultural spectrum. So sexuality and sexual domination sell. Racial stereotypes sell. The market is more consolidated which makes it easier for those images to perpetuate themselves.

And those artists we just mentioned don't traffic in those stereotypes, so they don't fit into that corporate consolidated structure, don't get airplay, and therefore don't sell, right?

That's right. And of course it's a self-fulfilling prophecy. They deny this. They say that they don't influence sales, that there's no payola, that there's no influence on content. But there's ample evidence that that's false. If you play a song enough, you start singing it. It's really almost that simple. From what I understand, stations used to play a song on average about 40 times a week. It's up to 140 times a week now.

Look, I don't want it to seem like I'm bashing everything about Lil Wayne and Jay-Z, because I'm not. I think they're both very talented. If you look at the metaphors Lil Wayne produces, they're amazing, they're very creative. It's the substance. What are you making metaphors about 24 hours a day? Same thing with Jay-Z. Even he has acknowledged that he's "dumbed his music down" so that he can sell records. This economic imperative has had more of an impact on hip hop than rock or soul or R&B.

This is what hip hop is now. What did it used to be?

It was mostly for fun and for play. It wasn't primarly an economic industry, where people got involved more for money than for creativity. It had live community origins. When you really produce music in live community settings, you can't get away with a lot of what they get away with in studio generated spaces. You had block parties where you had multi-generational consumption. You have 12-year olds, 18-year olds, 30-year olds, 70-year olds, all at the block party. They live there. They're hanging out. They're not going to listen to a lot of the kind of commercial hip hop that we're talking about, where people are just rhyming about killing everybody who gets in their way and never caring about a woman — I'm not going to use bad language here, what's the point? — but you get it. there's no way that's going to be acceptable. So there's a kind of community regulation factor in early hip hop.

And when I say early, I don't mean really early. I give it the first ten, twelve years. It also had a lot of political content. And I don't mean just, "Burn down America." A lot of it was about education and learning more about your history and asking questions and making better choices and trying to change society for the better. Yes there was a lot of anger, but not by any means was it the dominant frame of the genre. Again, it's hard to tell this to people when they turn on the radio and they get T-Pain.

There seems to be the tendency when people complain about what they hear on the radio for artists to say, "Well, if you don't like it, just turn it off." There's that shift in responsibility from artist to fan. Is that a disingenuous defense?

I think it is disingenuous because they know that this isn't just about turning off one song. You would have to turn off all commercial black radio. You'd have to shut down all of your children's and your own investment in MTV, BET, VH1. You would basically have to unplug from society as a whole. So they know this is not going to happen. They know you're not going to do it because that means rejecting the entire system, not just a given artist. There's also this idea that parents need to watch their kids more. Well, OK, I agree, some parents are not very good at watching their kids. But a lot of parents are deeply struggling to figure out how to watch their kids and hold down three part-time jobs with no benefits. And they don't really need artists making their job harder by creating an allure, an excitement for behavior that is completely self-destructive. Artists tell you to turn off, but they really depend on you doing the opposite. And I say let's take them up on it. They'll change their tune, because they need an audience. They need us.

In these hip hop wars, what's one of the more prominent argument from critics that you counter in your book?

Hip hop causes violence. This is a very common argument that's been made pretty much from the beginning. There are a number of things that are wrong with this. One is that it posits an incredibly simple-minded causal relationship between music that has violent narrative in it and actual violent action. Hip hop takes the bigger weight for this problem than anyone else. And the reason it takes such a big weight is not because it's any more violent than slasher movies or than horror movies or action movies in general, but because there is a denial about the violent world that we created in post-1960s black America. These are communities whose stability has been profoundly disrupted. And when you destabilize communities, violence always goes up.

The hip hop causes violence camp is incredibly dishonest about the profound role of structural racism, of economic disadvtange that has been produced over dacdes. It's not just personal, lazy behavior. It's a dishonest way of dumping on hip hop a set of conditions that we are responsible for as nation. That being said, that doesn't mean that a constantly violent narrative is a good thing. I'm not suggesting there shouldn't be a challenge to it to some degreee. But it's not the source of the problem. It's a red herring.

So, are both sides wrong then?

Definitely. The critics are a little bit more wrong than the defenders. But overall, both arguments have enormous flaws. The defenders are the the most wrong about gender and sexism and the haters are most wrong about issues of violence and culture. I'm very upset about both sides in this war and I think the only way out is for the rest of us on the sidelines to get involved with an educated, sophisticated position. You have to be subtle, not extreme, in thinking about what's right and what's wrong when it comes to hip hop.

AP source: 76ers fire coach Maurice Cheeks

By DAN GELSTON, AP Sports Writer Dan Gelston, Ap Sports Writer

PHILADELPHIA – Maurice Cheeks was fired Saturday as coach of the Philadelphia 76ers, who are slumping at 9-14 a year after making the playoffs. Assistant general manager Tony DiLeo was appointed interim coach.

The moves were confirmed by a person familiar with the decision who spoke to The Associated Press on condition of anonymity because an announcement had not been made. The team scheduled an afternoon news conference with general manager Ed Stefanski

Cheeks was one of more the popular players in 76ers history and was starting his fourth season as coach. Stefanski had given Cheeks two contract extensions in the past season, but the slow start was enough to cost him his job.

The dismissal came hours before the 76ers were to play at home Saturday night, with DiLeo now making his coaching debut against Washington. DiLeo has spent 19 seasons with the 76ers. He was promoted to senior vice president/assistant general manager in 2003.

Cheeks became the fifth NBA coach fired this season following P.J. Carlesimo (Oklahoma City), Eddie Jordan (Washington), Sam Mitchell (Toronto) and Randy Wittman (Minnesota)..

Cheeks led the 76ers to the playoffs last year for the first time while he was coach. Philadelphia was one of the surprise teams in the East last season, and the 76ers anticipated a deep run in the playoffs this year.

They signed Elton Brand to a five-year deal worth nearly $80 million last summer, but they have struggled with him in the lineup and have lost eight of 10.

Last season, the 76ers lost in the first round to Detroit. After an 18-30 start, Philadelphia won 18 of its next 23 games and wound up at 40-42, the sixth seed in the Eastern Conference.

Stefanski rewarded Cheeks with two contract extensions in seven months that would have taken him to the end of next season. Instead, with the team on a three-game losing streak and last in the Atlantic Division, he didn't even last until the end of the calendar year.

Cheeks also coached at Portland. He played 15 seasons in the NBA, the first 11 with Philadelphia, and retired in 1993. An outstanding defensive player, Cheeks played in four All-Star games and was a member of the 76ers' championship team in 1982-83. His No. 10 jersey hangs in the rafters.

TBOZ SETS THE RECORD STRAIGHT

(Courtesy of The Ladies from the Alley)

ESSENCE.COM: (Laughs.) That is so sweet! Well, there have been reports that a Georgia property of yours is going into foreclosure. Is that true?
T-BOZ:
No, I’m not homeless. During my last marriage [to Mack 10], I had a bunch of things that were put in my name. If one of those properties is going into foreclosure then I don’t know. Although I’ve been divorced for five years, there are still a lot of things I’m dealing with on getting straight in that regard. All I know is that the house I live in with my daughter is not. When you pull up my name, my real house doesn’t show up because it’s not in my real name, because I enjoy my privacy and I’m not trying to have people be able to find me that easily.

ESSENCE.COM: There were also reports of you losing a home in Houston?
T-BOZ:
I’ve never owned a home in Houston. I closed a store in Houston, Chase’s Closet, where I sold girls and boys clothing from infants to 12 years. The store is named after my daughter, Chase. For now, I only have the online store (chasescloset.com).

ESSENCE.COM: That explains the locale. Did you see the photos they had of you that were allegedly in front of your Houston home begging for donations?
T-BOZ:
It’s almost a waste of energy to give an explanation, but I’ll just say that the [blogosphere] loves to make up things. I remember that photo and it was on Craiglist.com showing me holding up an autographed picture on the internet saying, “If you come to this address with cash we’ll give you an autographed picture.” The only thing that irritated me was that they said that the proceeds would be donated to St. Jude’s [Children's Research Hospital]. I can take people talking about me all day, but don’t use my name to make fun of sick children because that’s beyond low and sick. I was a sick kid for a long time, in and out of the hospital most of my life battling my sickle cell, so I don’t find anything funny about that kind of joking. Why would anyone target innocent sick children to make fun of? That’s not cool at all. I mean someone actually took the time to make up all this stuff.

ESSENCE.COM: How do you think the rumor began?
T-BOZ:
Honestly, I don’t know. Ever since the news that TLC went bankrupt back in the day, I suppose everyone wants to believe that we are all struggling, but we’re doing fine. And if it were true, does it really matter? All those things are material. I get that negativity and violence sells, so people just stick to that formula. I’m just trying to live life and raise a little a girl that I was told I couldn’t have because of my sickle cell disease. I’m trying to do something that matters and make a difference with diseases. When I think about having my organs fail, my heartbeat stop and then begin again, this stuff is so trivial and I’m shocked that people believe everything they read because so much of it is far-fetched. My friends call me a miracle, and I am because there were so many times I almost didn’t make it when I was dealing with my sickness, but I’m doing so much better and I can only thank God.

ESSENCE.COM: Wow! So how do you combat the rumors?
T-BOZ:
I let people say what they want to say. I really don’t care. At the end of the day, none of these people are ever going to pay my bills or help get me out the hospital bed when I’m sick. That stuff is a waste of energy to me. You have to wonder if some of these bloggers lives are so bad that you have to harp on other people’s problems and fabricate stories. If some of the things are true about people losing their homes, have some compassion because it could be any one of us one day. It’s so ridiculous that you have to ask what is going on and half the battle begins with us as Black folks. If we don’t sit together and make change and start to treat each other with more respect, then how are we going to help our President? He can’t do this alone, so we have to come together and do better.

ESSENCE.COM: Do you miss Left Eye? (SMH @ this question)
T-BOZ:
Yes, we were sisters in every sense of the word. I was depressed for two years and just had to take time to be a mom and a normal person and focus on the things that truly mattered. She died the day before my birthday. I got the call around 11 P.M. while I was in the hospital, and my birthday rolled in at midnight so it’s always hard for me.

ESSENCE.COM: Speaking of which, you’re a divorcee. Are you happy in a new relationship.
T-BOZ: Yes, I am. I am with Takeo Spikes. He’s a linebacker for the San Francisco 49ers, No. 51. We’ve been dating for the past three years and I’m so happy. We are friends and he’s so supportive of me and I support his career. He even raises funds for sickle cell because of me and I love him for that.

ESSENCE.COM: So do we hear wedding bells?
T-BOZ:
(Laughs.) Girl, I’m working on it. We’ll see, but right now I couldn’t be more happy.

JD Sues Atlanta Club For Using Name

Producer-turned-recording executive Jermaine Dupri has launched legal battle against a nightclub and a promoter in his hometown of Atlanta over the unauthorized use of his name, court documents show.

The multi-platinum Grammy Award winner filed suit on Tuesday (December 9) against popular nightclub Pure Atlanta and one of the individuals behind the club’s weekly Industry Thursdays event.

Two days prior to the November 20 installment of Industry Thursdays, JD’s manager Nick Leo received a request from the defendants Elite Entertainment Group, LLC and its registered agent Binyam Yayine asking that the entertainer make an appearance at the club on that particular night.

Leo declined, explaining that JD would be out of the country, the lawsuit alleges.

Despite that information, Pure Atlanta proceeded to promote an "All Black Affair" to be hosted by Jermaine Dupri on November 20.

The event was advertised through the use of physically distributed flyers and various internet postings and radio ads using Dupri’s name and likeness, which his lawyers contend was done "to attract attendance and, on information and belief, paid sponsor or sponsors beneficial to Defendants."

The lawsuit goes on to say that upon becoming aware of these promotional efforts, JD’s manager contacted the defendants asking that they immediately cease using his name and image in connection with the event.

The event took place without incident on November 20, with the club continuing to promote the event as "hosted by Jermaine Dupri."

Attorney’s for Dupri maintain that through their actions the defendants were in violation of the performer’s right of publicity, unfair competition, false advertising and unfair and deceptive trade practices under the federal Lanham Trademark Act.

They are also accused of violating the Georgia Uniform Deceptive Trade Practices Act and Georgia common law.

As a result, Dupri is seeking a permanent injunction preventing the misappropriation of his name, image and likeness by Elite Entertainment’s directors, officers, agents, servants, employees and all those acting in concert with the company.

He has also asked the court to render a judgment against the defendants for "all profits received from their unauthorized us of Dupri’s name and image, including false designations of origin and false descriptions and representations of endorsement, approval, and/or sponsorship by Dupri."

He is also seeking punitive damages for each of the five perceived violations, though a specific dollar amount was not requested.

The Island Records Urban president is also asking that his legal fees in this matter be reimbursed.

The attorneys have asked that this matter be decided by a jury in Fulton County, Georgia.

Friday, December 12, 2008

Wyclef's Home In Foreclosure

Dang! This has been a crazy week for celebrity home foreclosures. We started the week by learning about Fantasia, mid week we hear about T Boz and now former Fugees member Wyclef Jean has failed to pay the mortgage on his unfinished Miami Beach mansion. Which was scheduled to be sold today by Miami-Dade County.

The Palm Beach Post reported that Wyclef took out a $2 million mortgage from Home Equity Mortgage Corp. in 2004 to purchase the estate through a corporation he owns with several friends.

Although the rapper/producer set out to renovate the canal-front property, the foreclosed home, which was appraised at $1.4 million, was left unfinished for more than two years as a series of construction liens were filed.

In addition, the property garnered $6,200 in fines from the city of Miami Beach once the $900,000 construction project halted after Jean and his partners couldn’t come up with the $177,913 in construction costs needed to finish the effort.

Court documents note that a lien was put on the property this year by the project’s architects, who have tried to collect $75,000 owed to them since 2004.

After all of that, Jean’s corporation now owes the bank $2.4 million.


Court records also show that Jean has not paid employees who worked on the home.

Mos Def Sued By Divorce Lawyers

These past few weeks Mos Def seems to have had a lot going on. He had a scuffle with a paprazzi, then johnny law was looking for him due to a warrant issued and now he's reportedly being sued by his divorce lawyers for failing to pay for their services.

The lawyers from the legal firm Blank Rome claim the rapper owes them $60,000 in unpaid fees and retainers after they assisted him in his divorce from Maria Yepes in 2006.

Mick Boogie Presents...Adele:1988


Mick Boogie presents... Adele: 1988 from MickBoogie on Vimeo.

Tuesday, December 9, 2008

UPDATE: DMX Captured at Scott Storch's House

by TMZ Staff

How's this for ironic -- DMX was arrested at the house of a guy who also had a warrant for his arrest this year: strapped-for-cash record producer Scott Storch.

X was picked up at Scott's Palm Island mansion -- the one that was foreclosed on in July -- after a woman in Georgia tipped off the Maricopa County Sheriff's office to his whereabouts.

The woman made the call after hearing there was a $5,000 reward for any info that would lead to the rapper's capture.

Scott's warrant was issued earlier this year after he failed to show up for a child-support case

Music: Jay-Z f. MC Lyte - BK Anthem

For the past couple of days, I had been expressing being in a "BK" frame of mind. So, some of my "creeppers" thought this would help. Thanks ya'll, but I'm STILL wanting my "BK" meal!!!!

Jay-Z f. MC Lyte - BK Anthem | Hip Hop Songs > HipHopDX.com

VIDEO: "Scared of Santa" Footage of Screaming Kids

While watching a news report on a book by Nancy Watkins titled "Scared of Santa", I thought it would be funny and cute to post some actual footage of kids being scared by Santa. "Quiet as it's kept" I was never scared of Santa, seeing Mickey Mouse at Disneyland did it for me!!!

Common: Obama will change hip-hop's attitude

CNN-The rapper Common wants to take hip-hop in a new direction, he says, and he has an unsuspecting ally -- President-elect Barack Obama.


Obama "is going to change hip-hop for the better," predicted the rapper, whose eighth album, "Universal Mind Control" (G.O.O.D. Music/Geffen), hits shelves Tuesday.

"I really do believe we as hip-hop artists pick up what's going on in the world and try to reflect that," he told CNN, outlining his belief that mainstream as well as so-called "conscious" rappers -- the more socially aware -- will pick up on what he sees as the more optimistic prospects of an Obama presidency.

"I think hip-hop artists will have no choice but to talk about different things and more positive things, and try to bring a brighter side to that because, even before Barack, I think people had been tired of hearing the same thing," he said.

Likewise, "Universal Mind Control," with its hook-heavy, synthed-out tracks, represents a "broadening" of hip-hop's audience -- one that demands evolution rather than hackneyed revamps of old beats, rhythms and rhymes, Common said.

Not that Common, born Lonnie Rashid Lynn Jr., is altogether removed from the temptations of his hip-hop brethren.

He serves as a spokesman for Lincoln Navigator and purports on his new album to "rebel in YSL," a reference to designer Yves Saint Laurent. Money is also a weakness, as Common -- No. 14 on Forbes magazine's 2008 list of richest rappers -- regularly invokes the greenbacks he makes and spends.
iReport.com: Talk Grammy Awards and more showbiz with Todd

Still, Common has come at hip-hop from a different angle from many of his colleagues. He was generally considered "underground" until he linked up with Kanye West, who produced his albums "Be" (2005) and "Finding Forever" (2007).

Even now, while paying homage at mainstream hip-hop's altar, the Chicago-born lyricist also enters parishes where most rappers wouldn't be seen. He's helped front movements for HIV/AIDS awareness and vegetarianism, and he's written two children's books emphasizing the importance of self-esteem.

Lyrically, violence has never been his thing; soft-drug use has been mentioned but rarely glamorized; he removed homophobic references from his lyrics years ago; and while there have been hints of misogyny and the occasional N-word in his verses, neither has been a staple of his rhymes.

"I've always been conscious, honestly," he said. "I made a choice on this album, 'Universal Mind Control,' to really make some music that was bright, that would be a little more lighthearted, just because of what was going on in the world." Read more from the interview

With a few exceptions, his latest lyrics are consummate Common. In his beat poet's cadence, the 36-year-old rhymesmith aggressively courts the ladies, personifies hip-hop, aggrandizes himself and his hometown (lovingly, "the Chi"), and respectfully doles out props to hip-hop's forefathers -- most notably to Afrika Bambaataa on the album's title track. Hear the title track »

The album's sound, however, is atypical, moving -- sometimes jerkily -- from club-banger to anthem to ballad to Top 40. The latter even runs counter to the opening verse of "Everywhere": "No pop, no pop, no pop, no pop/We gonna do this thing till the sky just drop."

But the sound is part of "a whole new sound and a new movement" in hip-hop, something he explored out of disdain for repetition and predictability, he said. That might explain Kanye West's relative absence on "Universal Mind Control."

The Louis Vuitton don appears on only one track, the pop-drenched "Punch Drunk Love." But West has long been credited, even by Common, with bringing his fellow Chicagoan to the mainstream after "Be" and "Finding Forever" went gold and leapt up the Billboard 200.

Of course, it's not all Kanye, said Common.

"I'm a true believer that it all boils down to the music, because Kanye can endorse something, and if people don't like it they ain't gonna get with it -- regardless of whoever endorses it," he said.

He compared his working relationship with West to the collaboration he enjoyed with The Neptunes' Pharrell Williams on "Universal Mind Control." Williams, whom Common casually likened to Quincy Jones, pushed him lyrically, much like West did, he said.

Between Williams and Mr. DJ -- who composed backbeats for some of OutKast's biggest hits -- Common arrived at the evolution he sought, he added.

Common also is plotting a change, or at least a detour, in his career path. Though his past cinematic endeavors have been primarily gangster flicks, Common has landed a role in the upcoming "Terminator Salvation" and could play Green Lantern in "Justice League: Mortal" should the derailed movie get back on track.

"I would truly love to go increasingly in the acting direction," he said. "My goal is to be a movie star. I want to be at Will Smith's level. I want to be co-leading with Leonardo DiCaprio."

Fear not, Common fans. The aspiring thespian is confident he can pull off both, though hip-hop might ride sidecar to the silver screen. Acting, he said, seems to improve his music.

"I don't take as much time overthinking it. Actually, since 'Be' I've been working on films and each album has been expanding and increasing, so I feel like I would still make music, but it wouldn't be the main gig," he said.


Selling albums, Common said, is about more than good music, and though he stands proudly by the music he made pre-West, he concedes he didn't do enough to claw his way up from the underground.

"After you make good, quality music, then it's your job to go out there and promote it and to market it and to get it out there to the people. I feel like I wasn't doing that early on," he said. "Now I am, and I feel like I'm growing as a songwriter and working with producers that are very incredible, so I feel all that is contributing to me getting the recognition that I'm getting."

Postal Worker Suing Andre 3000 For $2 Mil, Alleges "Class Of 3000" Was Stolen


OutKast's Andre 3000, along with Cartoon Network and Turner Broadcasting, is facing a $2 million lawsuit for copyright infringement and breach of contract claims stemming from Andre's "Class of 3000" cartoon series.


According to the Boston Herald, local postal worker Timothy McGee alleges the "characters, artwork, storylines [and] concepts" from Dre's Emmy-winning Cartoon Network series were all based on his ideas for an earlier project called "The Music Factory."

"The artist known as Andre '3000' Benjamin was credited with the creation, executive production and starring role in 'Class of 3000,'" the lawsuit reads. "The similarities between the expression of Mr. McGee's work in 'The Music Factory' and that of 'Class of 3000' are sufficiently detailed and pervasive."

While Dre's cartoon debuted November 2006, McGee claims he offered his series pitch to Cartoon Network executive Michael Lazzo in 1997 before being rejected. With both projects set in Atlanta's music scene and sharing similar characters including a "tough full-of-attitude female" character, his attorney Jerrold Neeff expects compensation.

"We've requested $2 million in damages thus far," Neeff told the Boston Herald. "The rest remains to be seen."

In addition, McGee has claimed misappropriation of trade secrets and is requesting damages to including all the profits from the show's two seasons. Cartoon Network and Turner Broadcasting have also been included in the lawsuit. A rep for Dre and Cartoon Network/Turner Broadcasting was unavailable for comment at press time.

The Big "O" Admits to Tipping The Scale @ 200lbs



Having packed 40 pounds onto her former 160-pound self, Oprah Winfrey is declaring, "I'm mad at myself" because she's "fallen off the wagon."

As the media mogul, 54, writes in the January issue of her O magazine hitting newsstands Tuesday (and provided in advance to the Associated Press by Winfrey's Harpo Productions): "I'm embarrassed … I can't believe that after all these years, all the things I know how to do, I'm still talking about my weight. I look at my thinner self and think, 'How did I let this happen again?' "

For starters, the fact that her thyroid was out-of-balance gave her "a fear of working out," she says. "I was so frustrated I started eating whatever I wanted – and that's never good."

Having slimmed down to 160 in 2006, she admits, "Yes, you're adding correctly. That means the dreaded 2-0-0."


Past Diets

Winfrey memorably revealed her new look on her show in 1988 – by wheeling out a wagon loaded with fat to represent the 67 pounds she had shed. On that episode, she sported a pair of size 10 Calvin Klein jeans.

"My greatest failure was in believing that the weight issue was just about the weight," Winfrey told PEOPLE in 1991. "It's about not handling stress properly."

But when it came to slipping into those jeans, "I had literally starved myself for four months [on a liquid-protein diet] – not a morsel of food," Winfrey, an admitted food addict, said in 2005. "Two hours after that show, I started eating to celebrate – of course, within two days those jeans no longer fit!"

Winfrey's weight has long been a topic on her show – and even for late-night hosts. In 1990, she hit 237 pounds, eventually prompting her in 1996 to enlist personal trainer Bob Greene. At the time, she said she had wanted to bring an end to her roller-coaster weight saga.


'Felt Like a Fat Cow'
Choosing a gown for the Barack Obama inauguration coming up in January, however, made Winfrey realize her self-image was no longer jibed with the person standing on the scales – though the real low point occurred last April.

"I felt like a fat cow," Winfrey writes of the occasion when she sought to skip out on a Las Vegas show taping with Cher and Tina Turner. "I wanted to disappear."

According to the Centers for Disease Control and Prevention, Winfrey's weight and height rank her as obese, with a body mass index of 31.8 – putting her at "at higher risk for chronic conditions such as high blood pressure, diabetes and high cholesterol," says the CDC.

Winfrey intends to address the issue on The Oprah Winfrey Show, which will kick off "Best Life Week" Jan. 5.

She is also expected to discuss her weight that same day on her XM satellite radio station's The Gayle King Show. Winfrey will also host interactive live Web casts at Oprah.com the week of Jan. 12 to 16, nightly at 9 p.m. ET.

Real Talk: you'd think with all that money she'd be able to maintain a decent weight but it's so true that you really have to work hard for that sh*t no matter if your a celeb or not. You can't pay people to do your cardio....

She's STILL beautiful to me tho!!

DMX On The Lam, Cash Reward For Information Leading To Rapper's Arrest


A $5,000 reward has been issued by Arizona police authorities for information leading to the capture and arrest of troubled rap star DMX.

According to Phoenix's KPHO news, the Maricopa County Sheriff's Department is currently on the search for rapper Earl Simmons aka DMX, after a warrant was issued for his arrest last Friday (December 5).

"This guy is a major annoyance to the criminal justice system," Sheriff Joe Arpaio told KPHO. "But we will track him down and he will face a different kind of music in a court of law."

X missed a court appearance last week for drug, identity theft and animal cruelty charges, which led a Maricopa County judge to move forward with an arrest warrant.

X's attorney, Bradford Cohen, reportedly told TMZ his client was residing in an undisclosed rehab facility but was supposed to show the Arizona judge paperwork to justify his absence. The rapper is also being forced to post a $120,000 cash bond or possibly face jail time.


Real talk....sounds to me he's on a bender. Has anyone checked the crack house!? That's very sad. He's so talented and troubled at the same time. Brotha, please turn yourself in!!

The Brutha E-Card Debut Album "Brutha"

Click Image to Receive Your E-Card




In Stores 12.23.08

Monday, December 8, 2008

Kanye West Deluxe Collector's Set


AVAILABLE TO ORDER:

Kanye West “808s & Heartbreak”

Deluxe Collector’s Set with 2 Full Length Vinyl LPs

plus a FULL CD!!

Common Dallas Meet & Greet @ red*swagger



Actor/rapper Common will be in town 12/15 to promote his new album "Universal Mind Control" . He will host a meet & greet for fans from 6pm-8pm. The location for the event will be the newly opened clothing store Red*Swagger in Cedar Hill's new Uptown Village. More details coming soon.... Check out the "Can I Borrow $.99 For The New Common Album" mixtape created by 247HH.com and DJ Kid Cut Up. Click here to hear.

red*swagger
305 W FM 1382, Suite 618
Cedar Hill, Texas 75104
TEL: 877-806-SWAG (7924)


CORRECTION: Courtsey of my girl @ VsVibespot.com :)XOXO!!

For You 70's & 80's Babies 9th Wonder's "True School Radio"

Fantasia's house has been seized


Hey Big Mouth! Looks like the recession has hit ya girl Fantasia.
In a MTO EXCLUSIVE REPORT it's been discovered that Fantasia’s
North Carolina home has been seized - and it’s going up for auction next week

Saturday, December 6, 2008

South a top source for guns used in crime

COLUMBIA, South Carolina - Ten U.S. states are responsible for the bulk of illegal guns that are shipped across state lines for use in crimes, according to a report released Friday by a national coalition of mayors.About 30 percent of guns traced by federal agents in 2006 and 2007 during crime investigations were bought in a state other than where the crime occurred, said the report by Mayors Against Illegal Guns, which largely blamed the transport of illegal guns on states with lax gun laws.
For 2007, the top sources for guns used in crimes elsewhere were Georgia, Florida, Texas, Virginia, California, Ohio, North Carolina, Indiana, Pennsylvania and Alabama.


However, the report's authors placed greater emphasis on per-capita exports of guns, saying that data is a better indicator of lax gun laws. The gun-friendly southern states accounted for a disproportionate amount of the problem when population size was factored in, according to the report.


West Virginia top exporter per capita
West Virginia is the top exporter, per capita, of illegal guns, with 41 traced guns per 100,000 state residents, followed by Mississippi, at 39 guns per 100,000, and South Carolina, at 31. The average national rate is 11 exported guns. Kentucky, Alabama, Virginia, Georgia, Indiana, Nevada, and North Carolina round out the top 10 exporting states, per capita, reads the report, titled "The Movement of Illegal Guns In America: The Link between Gun Laws and Interstate Trafficking."
"States with larger populations and states with greater gun sales volumes may be expected to be a source of more crime guns," the report read.
But the report said per capita rates can "more accurately determine which states are disproportionate suppliers of interstate crime guns." READ MORE

Etta James speaks on Beyonce's portrayal in Cadillac Records

Miss James is being very honest and candid. Oh Bey! I'm a little surprised...all actors should meet the people they are portraying. Especially, while they're still alive!!!

Thursday, December 4, 2008

Video: Common Discusses new album Universal Mind Control

Jean Grae Radio Crazy DJ Bazarro



Video: Idle Warship "Black Snake Moan"


Idle Warship "Black Snake Moan" from The ICU on Vimeo.

National Trend In Foreclosures: Homeless Moving In

Max Rameau delivers his sales pitch like a pro. "All tile floor!" he says during a recent showing. "And the living room, wow! It has great blinds."

But in nearly every other respect, he is unlike any real estate agent you've ever met. He is unshaven, drives a beat-up car and wears grungy cut-off sweat pants. He also breaks into the homes he shows. And his clients don't have a dime for a down payment.

Rameau is an activist who has been executing a bailout plan of his own around Miami's empty streets: He is helping homeless people illegally move into foreclosed homes.

"We're matching homeless people with people-less homes," he said with a grin.

Rameau and a group of like-minded advocates formed Take Back the Land, which also helps the new "tenants" with secondhand furniture, cleaning supplies and yard upkeep. So far, he has moved six families into foreclosed homes and has nine on a waiting list.

'Everyone deserves a home'

"I think everyone deserves a home," said Rameau, who said he takes no money from his work with the homeless. "Homeless people across the country are squatting in empty homes. The question is: Is this going to be done out of desperation or with direction?"

With the housing market collapsing, squatting in foreclosed homes is believed to be on the rise around the country. But squatters usually move in on their own, at night, when no one is watching. Rarely is the phenomenon as organized as Rameau's effort to "liberate" foreclosed homes.

Florida � especially the Miami area, with its once-booming condo market � is one of the hardest-hit states in the housing crisis, largely because of overbuilding and speculation. In September, Florida had the nation's second-highest foreclosure rate, with one out of every 178 homes in default, according to Realty Trac, an online marketer of foreclosed properties. Only Nevada's rate was higher.

Like other cities, Miami is trying to ease the problem. Officials launched a foreclosure-prevention program to help homeowners who have fallen behind on their mortgage, with loans of up to $7,500 per household.

The city also recently passed an ordinance requiring owners of abandoned homes � whether an individual or bank � to register those properties with the city so police can better monitor them.

Elsewhere around the country, advocates in Cleveland are working with the city to allow homeless people to legally move into and repair empty, dilapidated houses. In Atlanta, some property owners pay homeless people to live in abandoned homes as a security measure.

From shelter to home

In early November, Rameau drove a woman and her 18-month old daughter to a ranch home on a quiet street lined with swaying tropical foliage. Marie Nadine Pierre, 39, has been sleeping at a shelter with her toddler. She said she had been homeless off and on for a year, after losing various jobs and getting evicted from several apartments.

"My heart is heavy. I've lived in a lot of different shelters, a lot of bad situations," Pierre said. "In my own home, I'm free. I'm a human being now."

Rameau chose the house for Pierre, in part, because he knew its history. A man had bought the home in the city's predominantly Haitian neighborhood in 2006 for $430,000, then rented it to Rameau's friends. Those friends were evicted in October because the homeowner had stopped paying his mortgage and the property went into foreclosure.

Rameau, who makes his living as a computer consultant, said he is doing the owner a favor. Before Pierre moved in, someone stole the air conditioning unit from the backyard, and it was only a matter of time before thieves took the copper pipes and wiring, he said.

"Within a couple of months, this place would be stripped and drug dealers would be living here," he said, carrying a giant plastic garbage bag filled with Pierre's clothes into the home.

He said he is not scared of getting arrested.

"There's a real need here, and there's a disconnect between the need and the law," he said. "Being arrested is just one of the potential factors in doing this."

Miami spokeswoman Kelly Penton said city officials did not know Rameau was moving homeless into empty buildings � but they are also not stopping him.

No actions to stop

"There are no actions on the city's part to stop this," she said in an e-mail. "It is important to note that if people trespass into private property, it is up to the property owner to take action to remove those individuals."

Pierre herself could be charged with trespassing, vandalism or breaking and entering. Rameau assured her he has lawyers who will represent her free.

Two weeks after Pierre moved in, she came home to find the locks had been changed, probably by the property's manager. Everything inside � her food, clothes and family photos � was gone.

But late last month, with Rameau's help, she got back inside and has put Christmas decorations on the front door.

So far, police have not gotten involved.


http://www.cbsnews.com/stories/2008/...r=U.S._4642403

Kanye West To Intern For Fashion Designer

Hip-Hop superstar Kanye West has reportedly announced plans to step aside from music and focus on exploring fashion as a possible intern.

According to the New York Times, the mega producer is looking to diversify his portfolio by expanding his knowledge of style and clothing design by offering his free services at a clothing branch along the lines of Louis Vuitton and Raf Simons.

"I was blown away from the planet when he told me," Simons told Times. "I know he's very serious about this -- I don't take it as a joke -- but how can I imagine him being my intern? It's a very extreme situation."

While no official word or statement from Ye confirming the new move has been released yet, the rapper has hinted at his intention of pursuing a more focused path in the fashion world.

"I want to and will be the real thing," Ye previously wrote in a blog entry. "I will not just be a 'celebrity designer.'"

In related news, the Grammy winning artist has received six nominations for the upcoming 51st Grammy Awards ceremony in California next year.

Ye will look to bring home gold in various categories including "Song of the Year" for his collaboration with Estelle on their hit record "American Boy."

Despite releasing 808's and Heartbreak last week and landing at No. 1 on Billboard's Top 200, Ye's fourth album will not be eligible for any form of recognition until the next awards show.

The 51st Grammy Awards ceremony is scheduled to air Sunday, February 8, 2009 from the Staples Center in Los Angeles.

Video: Ludacris 'Everybody hates Chris'

Video: Male remix for Beyonces latest hit, Single Ladies.

Wednesday, December 3, 2008

'ATL Housewife' NeNe Evicted From Home


Per LIVESTEEZ, NeNe Leakes the boisterous breakout star of the hit Bravo reality show "The Real Housewives of Atlanta," is no longer living at the pricey Duluth five-bedroom residence shown on the series.

According to Darryl Pierce, the broker for the 5,000-square-foot home at 1765 Silvermere Court in Duluth, NeNe and her husband, Gregory Leakes, left in November after Winwood Properties filed an eviction notice in September.

The notice, filed Sept. 24 with the Magistrate Court of Gwinnett County, said Greg Leakes owed $6,240 in past due rent. "The tenant said they would move by Sept. 14th because they could no longer afford the house," the notice said.

The owner of the home, Kajani Shenaz Ali, lives overseas, Pierce said. Online records show the home in the gated community of Stonebrier at Sugarloaf, was purchased for $829,400 in September 2006. Pierce said the Leakeses moved into the home shortly after it was built in 2006, reports AccessAtlanta.com.

NeNe Leakes, in a series of e-mails Tuesday, would not say where she is living now. "It’s none of your business," she wrote. But she noted that they "are financial able [sic] and stable to live where ever we feel fits."

NeNe, 41, wrote that the eviction notice does not have her name on it, adding "you don’t know my relationship with Greg so be careful what you report!"

The Duluth home, she wrote in an e-mail late last week, "was a lease purchase corporate deal with Greg & his company. Things didn’t work out between the two of them so they did what they had to do and he did what he had to do."

On Tuesday, she wrote, "If we rent, lease purchase or buy, money is still coming out of my pocket. So who’s [sic] business is that??"

The TV show called Gregory, 54, a real estate investor. Reportedly, the only business the Atlanta Journal Constitution could find under his name in Georgia is called Advantage Move LLC. The phone number listed for Advantage Move has been disconnected, as reported by AccessAtlanta

MAKIN BEATS...Look & Learn!!!

For those of you who wanna know how it's done!!!!!

Boon Doc




DJ Wonder

Odetta Holmes dies at 88; folk singer championed black history, civil rights




Odetta, who used just her given name professionally, had trained as a classical vocalist as a child and later discovered folk music, which she said “really touched where I live.” She became an inspiration to other folk singers and eventually received a National Medal of Arts and a Living Legend Award.


By Randy Lewis and Mike Boehm
December 3, 2008


Odetta, the classically trained folk, blues and gospel singer who used her powerfully rich and dusky voice to champion African American music and civil rights issues for more than half a century starting in the folk revival of the 1950s, has died. She was 77.

She was admitted to Lenox Hill Hospital in New York City for a checkup in mid-November but went into kidney failure. She died there Tuesday of heart disease, her manager, Doug Yeager, told the Associated Press.

With a repertoire that included 19th century slave songs and spirituals as well as the topical ballads of such 20th century folk icons as Woody Guthrie and Pete Seeger, Odetta became one of the most beloved figures in folk music.

She was said to have influenced the emergence of artists as varied as Bob Dylan, Joan Baez, Janis Joplin and Tracy Chapman.

"The first thing that turned me on to folk singing was Odetta," Dylan once said. "From Odetta, I went to Harry Belafonte, the Kingston Trio, little by little uncovering more as I went along."

Her affinity for traditional African American folk songs was a hallmark of her long career, along with a voice that could easily sweep from dark, husky low notes to delicate yet goose bump-inducing high register tones.

"The first time I heard Odetta sing," Seeger once said, "she sang Leadbelly's ‘Take This Hammer’ and I went and told her how I wish Leadbelly was still alive so he could have heard her."

She was born Odetta Holmes in Birmingham, Ala., on Dec. 31, 1930. Her father died when she was young and she moved to Los Angeles at age 6 with her mother, sister and stepfather. She took the surname of her stepfather Zadock Felious, but throughout her career she used just her given name.

And although Los Angeles wasn't as overtly racist as the Deep South, she suffered some of the same indignities that came with being black.

"We lived within walking distance of Marshall High School," Odetta told The Times some years ago, "but they didn't let colored people go there, so we had to get on the bus and go to Belmont High School."

She attended Los Angeles City College after high school and earned a degree in music.

Trained as a classical vocalist as a child, she won a spot with a group called the Madrigal Singers in junior high school. She also realized early that despite her classical training, her options in that area were going to be limited because of the racism at the time.

By 19, Odetta had turned her attention to other forms of music and landed a part in a production of "Finian's Rainbow" as a chorus member. When the musical went on the road to San Francisco, she went with it.

The trip marked an important crossroads in her emergence as a folk singer.

She met an old friend from school who had settled in the city's North Beach neighborhood, and during a visit Odetta was exposed to a late-night session of folk songs.

"That night I heard hours and hours of songs that really touched where I live," she told The Times. "I borrowed a guitar and learned three chords, and started to sing at parties."

The traditional prison songs that she learned in her early days hit home the hardest and helped her come to terms with what she called the deep-seated hate and fury in her.

"As I did those songs, I could work on my hate and fury without being antisocial," she recalled. "Through those songs, I learned things about the history of black people in this country that the historians in school had not been willing to tell us about or had lied about."

Odetta left the theater company in 1950 and took a job at a folk club in San Francisco. She soon began to tour and recorded her first album, "The Tin Angel," in 1954. She soon caught the attention of such folk-music icons as Guthrie, Seeger and Ramblin' Jack Elliott. She was a fixture on the folk music scene by the time the genre's commercial boom came in the late 1950s and early '60s.

She played at the Newport Folk Festival, the showcase event for folk music, four times between 1959 and 1965. She also had a recording contract with Vanguard Records, which at the height of the folk music craze was the genre's leading label.

Over the years, Odetta branched into acting, with dramatic and singing roles in film and television including "Cinerama Holiday," "Sanctuary" and "The Autobiography of Miss Jane Pittman."

But traditional folk music remained her forte.

"The folk repertoire is our inheritance. Don't have to like it, but we need to hear it," she said. "I love getting to schools and telling kids there's something else out there. It's from their forebears, and its an alternative to what they hear on the radio. As long as I am performing, I will be pointing out that heritage that is ours."

In 1999, she was awarded a National Medal of Arts by President Clinton. In 2004, she was a Kennedy Center honoree. A year later, the Library of Congress honored her with its Living Legend Award.

Information on survivors and funeral services was not immediately available.

Lewis and Boehm are Times staff writers

HOT!! Busta Rhymes - Arab Money (feat. Ron Browz)

Video For Busta Rhymes' Third Single "Arab Money" Featuring Ron Browz Off His Ninth Studio Album "B.O.M.B. (Back On My B.S.)" Coming Soon.

Directed By Rik Cordero.


Tuesday, December 2, 2008

T.I. BlackMen Magazine Jan. 2009






The Black Male Privilege Checklist

Checklist taken from article by Jewel Woods
© Renaissance Male Project (2008)


The Black Male Privileges Checklist

Leadership & Politics:
1. I don't have to choose my race over my sex in political matters.
2. When I read African American History textbooks, I will learn mainly about black men.
3. When I learn about the Civil Rights Movement & the Black Power Movements, most of the leaders that I will learn about will be black men.
4. I can rely on the fact that in the near 100-year history of national civil rights organizations such as the NAACP and the Urban League, virtually all of the executive directors have been male.
5. I will be taken more seriously as a political leader than black women.
6. Despite the substantial role that black women played in the Civil Rights Movement and Black Power Movement, currently there is no black female that is considered a "race leader".
7. I can live my life without ever having read black feminist authors, or knowing about black women's history, or black women's issues.
8. I can be a part of a black liberation organization like the Black Panther Party where an "out" rapist Eldridge Cleaver can assume leadership position.
9. I will make more money than black women at equal levels of education and occupation.
10. Most of the national "opinion framers" in Black America including talk show hosts and politicians are men.

Beauty

11. I have the ability to define black women's beauty by European standards in terms of skin tone, hair, and body size. In comparison, black women rarely define me by European standards of beauty in terms of skin tone, hair, or body size.
12. I do not have to worry about the daily hassles of having my hair conforming to any standard image of beauty the way black women do.
13. I do not have to worry about the daily hassles of being terrorized by the fear of gaining weight. In fact, in many instances bigger is better for my sex.
14. My looks will not be the central standard by which my worth is valued by members of the opposite sex.

Sex & Sexuality

15. I can purchase pornography that typically shows men defile women by the common practice of the "money shot.”
16. I can believe that causing pain during sex is connected with a woman's pleasure without ever asking her.
17. I have the privilege of not wanting to be a virgin, but preferring that my wife or significant other be a virgin.
18. When it comes to sex if I say "No", chances are that it will not be mistaken for “Yes".
19. If I am raped, no one will assume that "I should have known better" or suggest that my being raped had something to do with how I was dressed.
20. I can use sexist language like bonin’, laying the pipe, hittin-it, and banging that convey images of sexual acts based on dominance and performance.
21. I can live in a world where polygamy is still an option for men in the United States as well as around the world.
22. In general, I prefer being involved with younger women socially and sexually
23. In general, the more sexual partners that I have the more stature I receive among my peers.
24. I have easy access to pornography that involves virtually any category of sex where men degrade women, often young women.
25. I have the privilege of being a part of a sex where "purity balls" apply to girls but not to boys.
26. When I consume pornography, I can gain pleasure from images and sounds of men causing women pain.


Popular Culture

27. I come from a tradition of humor that is based largely on insulting and disrespecting women; especially mothers.
28. I have the privilege of not having black women, dress up and play funny characters- often overweight- that are supposed to look like me for the entire nation to laugh.
29. When I go to the movies, I know that most of the leads in black films are men. I also know that all of the action heroes in black film are men.
30. I can easily imagine that most of the artists in Hip Hop are members of my sex.
31. I can easily imagine that most of the women that appear in Hip Hop videos are there solely to please men
32. Most of lyrics I listen to in hip-hop perpetuate the ideas of males dominating women, sexually and socially.
33. I have the privilege of consuming and popularizing the word pimp, which is based on the exploitation of women with virtually no opposition from other men.
34. I can hear and use language bitches and hoes that demean women, with virtually no opposition from men.
35. I can wear a shirt that others and I commonly refer to as a "wife beater" and never have the language challenged.
36. Many of my favorite movies include images of strength that do not include members of the opposite sex and often are based on violence.
37. Many of my favorite genres of films, such as martial arts, are based on violence.
38. I have the privilege of popularizing or consuming the idea of a thug, which is based on the violence and victimization of others with virtually no opposition from other men.


Attitudes/Ideology

39. I have the privilege to define black women as having "an attitude" without referencing the range of attitudes that black women have.
40. I have the privilege of defining black women's attitudes without defining my attitudes as a black man.
41. I can believe that the success of the black family is dependent on returning men to their historical place within the family, rather than in promoting policies that strengthen black women's independence, or that provide social benefits to black children.
42. I have the privilege of believing that a woman cannot raise a son to be a man.
43. I have the privilege of believing that a woman must submit to her man.
44. I have the privilege of believing that before slavery gender relationships between black men and women were perfect.
45. I have the privilege of believing that feminism is anti-black.
46. I have the privilege of believing that the failure of the black family is due to the black matriarchy.
47. I have the privilege of believing that household responsibilities are women's roles.
48. I have the privilege of believing that black women are different sexually than other women and judging them negatively based on this belief.


Sports

49. I will make significantly more money as a professional athlete than members of the opposite sex will.
50. In school, girls are cheerleaders for male athletes, but there is no such role for males to cheerlead for women athletes.
51. My financial success or popularity as a professional athlete will not be associated with my looks.
52. I can talk about sports or spend large portions of the day playing video games while women are most likely involved with household or childcare duties.
53. I can spend endless hours watching sports TV and have it considered natural.
54. I can touch, hug, or be emotionally expressive with other men while watching sports without observers perceiving this behavior as sexual.
55. I know that most sports analysts are male.
56. If I am a coach, I can motivate, punish, or embarrass a player by saying that the player plays like a girl.
57. Most sports talk show hosts that are members of my race are men.
58. I can rest assured that most of the coaches -even in predominately-female sports within my race are male.
59. I am able to play sports outside without my shirt on and it not be considered a problem.
60. I am essentially able to do anything inside or outside without my shirt on, whereas women are always required to cover up.


Diaspora/Global

61. I have the privilege of being a part of a sex where the mutilation and disfigurement of a girl’s genitalia is used to deny her sexual sensations or to protect her virginity for males.
62. I have the privilege of not having rape be used as a primary tactic or tool to terrorize my sex during war and times of conflict.
63. I have the privilege of not being able to name one female leader in Africa or Asia, past or present, that I pay homage to the way I do male leaders in Africa and/or Asia.
64. I have the ability to travel around the world and have access to women in developing countries both sexually and socially.
65. I have the privilege of being a part of the sex that starts wars and that wields control of almost all the existing weapons of war and mass destruction.


College

66. In college, I will have the opportunity to date outside of the race at a much higher rate than black women will.
67. I have the privilege of having the phrase "sewing my wild oats" apply to my sex as if it were natural.
68. I know that the further I go in education the more success I will have with women.
69. In college, black male professors will be involved in interracial marriages at much higher rates than members of the opposite sex will.
70. By the time I enter college, and even through college, I have the privilege of not having to worry whether I will be able to marry a black woman.
71. In college, I will experience a level of status and prestige that is not offered to black women even though black women may outnumber me and out perform me academically.
72. If I go to an HBCU, I will have incredible opportunities to exploit black women


Communication/Language

73. What is defined as "News" in Black America is defined by men.
74. I can choose to be emotionally withdrawn and not communicate in a relationships and it be considered unfortunate but normal.
75. I can dismissively refer to another persons grievances as ^*ing.
76. I have the privilege of not knowing what words and concepts like patriarchy, phallocentric, complicity, colluding, and obfuscation mean.
Relationships
77. I have the privilege of marrying outside of the race at a much higher rate than black women marry.
78. My "strength" as a man is never connected with the failure of the black family, whereas the strength of black women is routinely associated with the failure of the black family.
79. If I am considering a divorce, I know that I have substantially more marriage, and cohabitation options than my spouse.
80. Chances are I will be defined as a "good man" by things I do not do as much as what I do. If I don't beat, cheat, or lie, then I am a considered a "good man". In comparison, women are rarely defined as "good women" based on what they do not do.
81. I have the privilege of not having to assume most of the household or child-care responsibilities.
82. I have the privilege of having not been raised with domestic responsibilities of cooking, cleaning, and washing that takes up disproportionately more time as adults.
Church & Religious Traditions
83. In the Black Church, the majority of the pastoral leadership is male.
84. In the Black Church Tradition, most of the theology has a male point of view. For example, most will assume that the man is the head of household.


Physical Safety

85. I do not have to worry about being considered a traitor to my race if I call the police on a member of the opposite sex.
86. I have the privilege of knowing men who are physically or sexually abusive to women and yet I still call them friends.
87. I can video tape women in public- often without their consent - with male complicity.
88. I can be courteous to a person of the opposite sex that I do not know and say "Hello" or "Hi" and not fear that it will be taken as a come-on or fear being stalked because of it.
89. I can use physical violence or the threat of physical violence to get what I want when other tactics fail in a relationship.
90. If I get into a physical altercation with a person of the opposite sex, I will most likely be able to impose my will physically on that person
91. I can go to parades or other public events and not worry about being physically and sexually molested by persons of the opposite sex.
92. I can touch and physically grope women's bodies in public- often without their consent- with male complicity.
93. In general, I have the freedom to travel in the night without fear.
94. I am able to be out in public without fear of being sexually harassed by individuals or groups of the opposite sex.

Monday, December 1, 2008

Lawmaker suggests merging historically black colleges

Republican Seth Harp wants to save money by putting them with white-majority schools
By JAMES SALZER

The Atlanta Journal-Constitution

Monday, December 01, 2008

The chairman of the state Senate Higher Education Committee told University System leaders they should consider merging two of the state’s three historically black colleges with nearby white-majority schools to save money.

With the state looking to cut spending up to 10 percent this year because of the economic slowdown, Senate Higher Education Chairman Seth Harp (R-Midland) suggested historically black college Savannah State University be merged with Armstrong Atlantic University in Savannah, and black college Albany State be merged with Darton College in Albany.

Harp said the separate schools were set up during a time when whites didn’t want to go to school with blacks and education was segregated in Georgia.

“The white schools were begun as segregation schools. It’s time Georgia closed that ugly chapter,” Harp said during a budget hearing on the University System’s budget Monday.

Any decision to merge the schools would have to be made by the University System’s Board of Regents. The system receives about $2.3 billion in annual state funding, but the governing body makes decisions about the system’s 35 schools.

System Chancellor Erroll Davis said merging historically black colleges is more than an economic issue because the schools have a long history of providing education to African-Americans in Georgia. The idea would probably face strong opposition from supporters of historically black colleges nationally.

“I would need some political sense (from lawmakers) that there is support for that,” Davis said.

Harp responded, “A 10 percent cut may be an incentive to do that.”

The third historically black college in the state, Fort Valley State, is probably located too far from any other University System school to be a candidate for merger.

OBAMA license plates become target for NY thieves

GREAT NECK, N.Y. – A Long Island Democratic supporter says he's been driven to hide his OBAMA vanity license plates inside his car because people kept trying to steal them.

Great Neck resident Jonathan Lifschutz says he got the plates bearing the surname of the U.S. president-elect from the New York Department of Motor Vehicles days after the Jan. 26 South Carolina primary.

The 50-year-old financial analyst and former Hillary Clinton donor says would-be thieves tried prying off the plates and he even caught one man red-handed.

He jokes the Empire State plates one day will be a collector's item — in someone else's house.

So he's taken them off his car and put his old plates back on.

Today Marks Historic 20th Anniversary Of World AIDS Day

Today is recognized around the world as the World AIDS Day, a day to try and come together to fight the AIDS epidemic. So what should you be doing on this day to try and help out the cause?

World AIDS Day is held every year on December 1st, and this year is no different than any other.

It is a day when individuals and groups can come together to try and raise awareness against the AIDS virus.

This is the 20th anniversary of World AIDS Day, as it was started in 1988 by the World Health Organization (WHO).

The whole idea behind it according to the WHO was to raise public awareness about HIV/AIDS issues.

The biggest problems facing people with HIV/AIDS is the fact that they usually lack support and understanding.

This is a day where it is important to try and help these people, by giving them the support they need.

They can also use this day to get further educated as to how they can live with HIV/AIDS.

Other key points of interest on this historic day include the spread of education and development of prevention tactics against the virus.

World AIDS Day is recognized by more than 190 countries around the world, and will go down as a huge success once again.